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StoryTelling
storytelling techniques
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As
Access
1
As
Access

Some of the best narratives come from an unfiltered look behind the curtain.

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2
In
Incongruent
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In
Incongruent

To see or read something that appears out of place grabs attention. The mind strives to reconcile, “what the hell?”

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3
Fa
Failure
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Fa
Failure

No failure, no drama. Virtually all movies and novels depict something going awry.

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4
Cv
Conversational
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Cv
Conversational

Talk and write like a real human being. You can do it!

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AC
Atomized Content
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AC
Atomized Content

Packaging bite-­size chunks of a story often resonate with journalists.

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Ow
Outward
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Ow
Outward

The opposite of “Me, me, me … and here’s a little more on me.”

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Sm
Sausage Making
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Sm
Sausage Making

Sometimes, a backstory on how something happens is more interesting than the core narrative.

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Qa
Quantification
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Qa
Quantification

Everyone likes to keep score. Numbers can bring shape to the intangible.

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Op
Opinion
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Op
Opinion

Nothing bores like the middle of the road, often viewed by execs as a safe harbor. Have a take.

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Wo
Words
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Wo
Words

Words matter. A single word amidst a vanilla page can jar the senses.

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Cx
Context
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Co
Contrast
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Co
Contrast

Comparisons – like the difference between “what was” and “what is” – can help the audience ascertain significance.

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Vi
Visual
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Vi
Visual

Even if a picture isn’t worth 1,000 words, visuals accentuate storytelling.

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Hu
Humanity
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Hu
Humanity

Faces dominate the covers of business magazines for a reason. Cultivate human touch points in your storytelling.

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An
anecdote
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An
Anecdote

Underutilized in business communications, the anecdote brings realness and entertainment value to the story.

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Le
Levity
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Le
Levity

Considered the killer app in business storytelling, the mere cracking of a smile is a win.

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Dr
Drama
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Dr
Drama

Business storytelling with an entertainment dimension stands out. Enter drama, stage left.

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Pr
Protagonist
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Pr
Protagonist

Transform an executive into a hero, and you’ve got the makings of a happy ending (and a brand-­building moment).

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Ba
Barrier
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Ba
Barrier

Here’s one surefire way to cultivate drama: Communicate a barrier and tease out the journey of overcoming that barrier.

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Vo
Voice
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Vo
Voice

A distinctive voice can elevate a business story, whether that comes from the company or an individual.

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Anecdote Takes Center Stage in a National News Story

Anecdote Takes Center Stage in a National News Story

That’s exactly what happened last week when CNN covered President Obama’s intention to veto the Keystone XL pipeline that would transport oil from Canada to Mexico.

Check out the headline.

Meet the pen Obama used to veto the Keystone XL pipeline.”

Obviously, the focus of the story lies on a Presidential decision.

Yet,  the pen makes headline.

But we don’t actually “meet the pen” until almost 500 words later at the very end of the story:

That pen is a left-handed Cross Townsend, assembled at the 169-year-old company’s plant in Lincoln, Rhode Island, from components made in China.

“The old saying goes the pen is mightier than the sword, and in these days we don’t use swords anymore, we use pens,” said Bryan Fournier, vice president of operations at Cross Pens.

What’s going on here?

This is a case where the needs of journalism and PR converge as one. I continue to believe that PR underutilizes the anecdote as a storytelling technique, and this is why the Cross Pen example stood out.

CNN is looking for a way to differentiate its news story on President Obama exercising his veto power.

PipelineMontage 02-15

As you can see from the smattering of headlines above, all of them essentially say the same thing.

On the PR side, Cross Pen is looking to “borrow” the news event as a way to shine the national spotlight on its product.

Reverse-engineering the story, all cues point to Cross pitching the anecdote as an exclusive. I say this because the anecdote doesn’t appear in any other coverage. It says something about the power of  anecdotes in today’s journalism that they can be pitched this way.

And the end of the story, specifically the clichéd comment from the Cross executive around the “pen is mightier than the sword, points to a pitch.

But the most revealing data point comes from the 81-second video that accompanies the news story in which the pen takes on the lead role. We even get a peek into the manufacturing process and learn that making pens for presidents is indeed cool (her words, not mine).

The video offers another proof point that “sausage making” content — the process and actions that take place behind the curtain — makes for an effective storytelling technique.

Note: Kudos  to one of our senior account professionals in our Pacific Northwest office, Kali Bean, who brought the CNN story to my attention. I’ll be making the trek to our Pacific Northwest office later this week to take the entire team through our storytelling workshop.

Connecting Anecdotes to Storytelling in Business Communications

I am a fan of the anecdote, one of the most underutilized storytelling techniques in business communications.

Executives often perceive anecdotes as fluff and put the kibosh on such content before it sees the light of the day. Which explains why if you were to audit the content generated by PR (in-house + agency), you would find that most efforts capture little or no anecdotal content.

Journalists, the masters of industrial-grade storytelling in business, have honed the use of anecdotal content to an art form. You’ll often see feature stories in business publications kick off with an anecdote as a form of stage-setting like the start of the Bloomberg Business story, “How Goldman Sachs Lost $1.2 Billion of Libya’s Money” which reads like a novel:

Moammar Qaddafi’s Libya was a miserable place for a business trip. In 2008, a few years after renouncing its nuclear and chemical weapons program, the desert nation remained a menacing and ugly place, with cratered highways, awful restaurants with no booze, and Qaddafi’s leathery visage everywhere, staring balefully down from billboards. The dreary capital, Tripoli, sat at the edge of the Sahara, in the least barren sliver of a country defined in the West by dictatorship, terrorism, and billions of dollars’ worth of oil.

I had to turn to my trusty online dictionary for the definition of “baleful,” which turns out to be the perfect word.baleful definition in dictionary And thought the phrase “awful restaurants with no booze” added a nice touch in spite of being superfluous.

While Goldman Sachs getting in bed with one of the top bad guys of the 21st century lends itself to this type of storytelling, anecdotes can also lift the mundane. Take last week’s story in The New York Times on the U.S. government requiring its contractors to provide paid sick leave. We can safely say that Michael Lewis doesn’t sniff a book in this topic. Yet, the NYT journalist feathers an anecdote into the story as a way of humanizing the issue:

Paola Angel was working as a security guard in New York City when its paid sick leave law went into effect. Before the law, she typically had to leave one of her two school-age sons at home when they got sick because she could not afford to forgo a day of pay or to put her job at risk.

Anecdotes can be particularly effective in dealing with complex subject matter, as was the case in our support of the Bell Labs 50th anniversary for the discovery of the “Big Bang.” Among the mainstream media covering the story, NPR looked to bring out the humanity of the two scientists with anecdotes such as this one trying to eliminate the hum from the signal that they thought might be originating from birds:

“There was a pair of pigeons living in the antenna,” Wilson says. Wilson and Penzias got on their lab coats, climbed inside their giant microwave contraption, and wiped out the pigeon poop. The birds kept roosting in there. Penzias and a lab technician eventually took matters into their own hands: “The only humane way of doing it was to buy a box of shotgun shells,” Penzias says. “So that’s what finally happened to the pigeons.”

As Heisenberg says in “Breaking Bad,” “That covers it.”

In another client example, we landed a Fast Company feature story on Nautilus that uses three anecdotes to frame the piece:

  • Previous office building nicknamed “Taj Majal” by employees for being grandiose (not a term of endearment)
  • Conducted a raffle for some employees to join the execs in New York City to ring the bell at the New York Stock Exchange
  • CEO joined the internal kickball league

The mashing of these anecdotes actually creates the headline, “What Happened When Nautilus’s CEO Ditched His Fancy Office and Joined the Company Kickball Team.”

Both examples put a face on the company and do so in a way that takes you behind the curtain with fresh wrinkles to the story.

There’s another reason that anecdotes should be part of your communications arsenal. They bring realness to the storytelling.

If I stand in front of you and tell you that I’m a great dad — illustration below for those who think visually — what do you think?

I'm a great dad cartoon

Exactly.

The opposite comes to mind. Such a statement triggers the perception that if I’m saying this, I’m probably not a great dad.

But what if I were to talk about getting up early on a Sunday morning because my kids wanted to try to their hands at a strawberry crepe? Leaving nothing to chance, I even bought a crepe pan from Williams-Sonoma that guaranteed a perfect outcome. Yet, in spite of our diligence in following the recipe, we ended up with a dish that looked more like strawberry mashed potatoes than a crepe.

You still might not nominate me for dad of the year, but you do take away the impression that I’m engaged with my kids.

I read a great line some time ago from Raymond Mar, a professor at York University in Toronto, who conducts research on storytelling:

“Everyone has a natural detector for psychological realism.”

That’s the power of the anecdote in business communications — helping the reader/listener feel that the story rings true.