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StoryTelling
storytelling techniques
1
As
Access
1
As
Access

Some of the best narratives come from an unfiltered look behind the curtain.

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2
In
Incongruent
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In
Incongruent

To see or read something that appears out of place grabs attention. The mind strives to reconcile, “what the hell?”

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3
Fa
Failure
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Fa
Failure

No failure, no drama. Virtually all movies and novels depict something going awry.

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4
Cv
Conversational
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Cv
Conversational

Talk and write like a real human being. You can do it!

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5
AC
Atomized Content
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AC
Atomized Content

Packaging bite-­size chunks of a story often resonate with journalists.

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6
Ow
Outward
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Ow
Outward

The opposite of “Me, me, me … and here’s a little more on me.”

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7
Sm
Sausage Making
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Sm
Sausage Making

Sometimes, a backstory on how something happens is more interesting than the core narrative.

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8
Qa
Quantification
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Qa
Quantification

Everyone likes to keep score. Numbers can bring shape to the intangible.

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9
Op
Opinion
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Op
Opinion

Nothing bores like the middle of the road, often viewed by execs as a safe harbor. Have a take.

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10
Wo
Words
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Wo
Words

Words matter. A single word amidst a vanilla page can jar the senses.

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12
Cx
Context
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Co
Contrast
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Co
Contrast

Comparisons – like the difference between “what was” and “what is” – can help the audience ascertain significance.

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14
Vi
Visual
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Vi
Visual

Even if a picture isn’t worth 1,000 words, visuals accentuate storytelling.

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15
Hu
Humanity
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Hu
Humanity

Faces dominate the covers of business magazines for a reason. Cultivate human touch points in your storytelling.

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16
An
anecdote
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An
Anecdote

Underutilized in business communications, the anecdote brings realness and entertainment value to the story.

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17
Le
Levity
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Le
Levity

Considered the killer app in business storytelling, the mere cracking of a smile is a win.

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18
Dr
Drama
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Dr
Drama

Business storytelling with an entertainment dimension stands out. Enter drama, stage left.

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Pr
Protagonist
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Pr
Protagonist

Transform an executive into a hero, and you’ve got the makings of a happy ending (and a brand-­building moment).

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Ba
Barrier
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Ba
Barrier

Here’s one surefire way to cultivate drama: Communicate a barrier and tease out the journey of overcoming that barrier.

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21
Vo
Voice
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Vo
Voice

A distinctive voice can elevate a business story, whether that comes from the company or an individual.

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Creating a Company Video that Actually Tells a Story

Creating a Company Video that Actually Tells a Story

On a charitable day, I would characterize most company videos as dreadful.

Consider what happens when you go to an event, meet a new person and that person launches into a soliloquy of “me, me and in case you missed it, here’s more about me.” Right. You walk away. Why would a company video be any different?

Of course, the moniker “company video” by definition means the video spotlights the company. It’s just that shaping a company video that tells an actual story from the outside looking in — as opposed to the typical inside looking out — has a fighting chance to grab the audience’s attention for 180 seconds or so.

This video on Philz Coffee created by Northbound Films does exactly that.

It feels real.

Humor and fun language lift the storytelling.

The narrative even shares a slice of Philz’s past that some would perceive as negative,

“He sells the country’s cheapest milk, beer and cigarettes.”

For a look behind the camera, I spoke with Jordan Ching, co-founder of Northbound and the director of the Philz video. It turns out that Jordan is a self-taught film maker, having studied business in college before landing in cube land as a procurement specialist. How one goes from procurement and filled spreadsheets — I’m sure there’s a less creative function; I just can’t think of one at the moment — to the blank canvas of video-making is a story for another time.

LH: So many corporate videos fall flat because they emphasize chest-beating. How did you move Philz away from this pitfall?

JC: We got extremely lucky with Philz because they let us have total creative freedom. We approached them with a concept in mind and they were open enough to run with it.

LH: Did you establish a certain vibe you wanted from the video before the shooting commenced?

JC: Yes, we wanted to bring a quirky and fun feel to the Philz story. We saw there was a lot of video on Philz out there, but nothing that really captured what Philz is about.

LH: I love the opening of the video with San Francisco circa 1970s. Even though it’s only a few seconds, it establishes a bigger narrative than just a coffee company. How did this come about?

JC: We were inspired by another piece that did something similar. San Francisco itself has a lot of character, so we wanted to establish the “foundation” of where Philz was born. I don’t think Philz could’ve been born anywhere but here.

LH: Where’d you find those pictures?

JC: At the Mission Cultural Center. They were great in letting us scan images in their archives. Those images have since been moved to Stanford, so we got lucky in being able to find exactly what we needed.Mission Cultural Center posterLH: I also thought it was clever to weave in the vignette, “He sells the country’s cheapest milk, beer and cigarettes” early in the video. Any initial resistance from Philz in introducing what some might perceive as a bit negative or not relevant to business today?

JC: Nope

LH: Really?

JC: No resistance. Phil himself bought into the concept of showing his journey and how he got his start. It’s all part of his story.

Lou: It’s only a few seconds of the video, but it brings texture to the storytelling.

JC: Absolutely.

LH: Along a similar line, it’s not easy to bring touches of levity — like the running count of hours/time spent studying coffee or sitting at the table like a plant — to a company video. Was this something you set out to achieve, or did it occur on more of an improv basis?

JC: I wish we could say that we have everything planned out to a T, but the creative process doesn’t necessarily work like that. We knew once we had shot that particular VO, we had to create a scene to bring it to life, and thus the plant scene was born.Philz three house plantsLH: All in all, the video really brings out the humanity in Philz. Was this the overarching goal of the video?

JC: Yes. The story of why Philz is so special gets lost in verbal communication, so we wanted to create a piece that took care of that problem.

LH: It would be great to hear your guidance on how companies can avoid the typical traps that produce bad company videos.

JC: Let the creatives be the creatives, and take chances!

LH: Be Brave.

JC: Right. Be brave. I don’t know how many times the Dollar Shave Club video has been referenced to us, but when it comes down to it, the client does not want to go there. If your company is truly that quirky or out there, go with it. Safe is so boring.

LH: The Dollar Shave Club serves as the poster child for great company videos. The exaggeration makes it work. But it takes guts to sign up for exaggeration.

JC: I agree. As you put it, it takes guts to create a video based on exaggeration because you can never have 100 percent certainty that it will work. The Dollar Shave Club video ended up going viral with millions of views, but at the conceptual stage, you don’t know.

LH: Any closing thoughts?

JC: Good things happen when people push the envelope. Try something new, don’t settle for ordinary, and hire a production company/agency who can take you there.

Lest you think that Northbound Films works only with consumer companies, check out this fresh video for a supply chain software company.

When it comes to buying services under the communications umbrella — whether it’s video creation or public relations or whatever — there’s something to be said for hiring consultancies that care.

I’ve always thought that’s part of our own secret sauce, and I see the same quality in Northbound Films.

While Northbound’s website is under construction, you can access their Facebook page or find their reel here.

Execs Struggle with One of the Most Effective Storytelling Techniques

Showing one’s humanity is a sure-fire way to bring a storytelling dimension to communications.

Yet, most executives do the exact opposite. They make a conscious effort to hide their humanity.

Why?

To paraphrase Rudyard Kipling, we’re told early in our careers that business is business, personal is personal, and never the twain shall meet.

It’s a missed opportunity.

The simple act of opening up can strengthen business communications, giving lift to what otherwise would be vanilla information.

Before going further, let’s define this concept of opening up in business communications. In short, it means being willing to reveal a little something about yourself. Transition lines such as “That reminds me …” or “Let me share a quick story …” can serve as springboards into opening up.

It’s worth noting that opening up should come in moderation lest you end up in the TMI category. No one wants to hear that your kid refused an SAT tutor, smokes pot and is going to end up at the local community college.

Politicians certainly get the concept of how to open up.

The recent Republican and Democratic conventions provided ample examples of politicians opening up as means to connect with their constituencies.

Staying in the political sphere, one of my favorite examples of “opening up” comes from President Obama who every year appears on ESPN to share his college basketball picks for March Madness.

President Obama Bracket - effective business storytelling

Does the President’s ability to predict Arizona State upsetting Michigan — didn’t happen by the way — give the American public greater confidence in his ability to address the threat of terrorism or shepherd health care reform? Of course not. He does this so his target audience can identify with him and perhaps feel a connection with him.

For business role models, look no further than Warren Buffet who has perfected the storytelling technique of opening up. He doesn’t want the world to perceive him as one of the richest men in the world who always gets his right pinkie in the air at the perfect angle when lifting a cup of tea. Similar to President Obama participating in March Madness, Mr. Buffett strives for ways that the average person can feel part of his circle. Using his Annual Report for more than reporting financial performance, we find passages such as the following on activities at his shareholders’ meeting:

“To add to the Sunday fun Ariel Hsing will play table tennis (ping pong to the uninitiated) from 1 pm to 4 pm against anyone brave enough to take her on. Ariel, though only 11, is ranked number one among first under 16 in the U.S. I played Ariel, then 9, thinking I would take it easy on her so as not to crush her young spirit. Instead she crushed me …”

Of course, the profile of the individual has a say about the frame of opening up. For the President Obamas and Warren Buffets of the world, they can tap areas like a college basketball tournament or a ping pong prodigy that have zero relevance to their core platform. If you’re an executive at an enterprise computing company, what you share opening up needs to have relevance to the topic at hand.

This requires getting out of the weeds.

Trying to conjure up a personal story with a tie to “greater density in a solid state storage device” makes for a futile exercise. Instead, it’s about finding an experience/feeling that provides common ground between the personal and the technical. Maybe a sense of achievement underpins the personal story as a way to accentuate the sense of achievement with the new storage device. Or perhaps the development of the storage device hit unexpected obstacles that could be tied to a personal saga of pushing through barriers.

One final point —

As you open up, you’re going to experience a feeling of vulnerability.

Take a deep breath and stay the course.

Like any push out of one’s comfort zone, it does get easier over time.